Saturday, October 13, 2012

East African Tribesmen Part II

Continuing on in the sheer joy of painting my Perry Brothers' plastic Mahdist Ansar, I've completed my first small band of 5 of them. I decided to do all five in red clothes, for some uniformity in the squad.
I intend to complete the rest of the box in several different ways, from actual Madhists to some various East African Tribes. Turkana is high on the list, if I can sculpt their distinct shields to my liking. For now I am creating kind of generic warriors, and running them shieldless.

I wanted this figure to be a sort of a leader to the warband, so I picked a body that was more fully robed (so that he would have more of the band's color on him) and chose a bearded head, which I painted slightly greying.

The skin still follows the Perry Brothers' tutorial on their webpage, and I cintinue to appreciate the results.

Fezzes are cool! And so are Martini Henry rifles. The guns in this set are superbly sculpted, and even include details like sling mounts. I'm mostly pleased with this figure, but don't know how the red fez does alongside red clothes. Might need to repaint in a contrasting color.

Another Martini Henry toting tribesman rushes to the scene. Not entirely visible with the grass basing, this one wears trousers, in this case done as unbleached cotton.

This charging spearman shows the nice detail of the beaded necklace, present on all of these models. It makes for a characterful detail, while also giving some camouflage to an otherwise obvious seam of head and body, which could be an issue on a bare-chested miniature.

One final shot of the whole group, to show off the basing, which follows my african basing convention in the Paint Journal. By spreading out the bristle grass basing, it does not overwhelm any individual figure, and bulks up as you put more miniatures into the group, to build up the impression of location overall.

What other ways should I use these fine sculpts? There are quite a few remaining in the box as pure plastic potential.

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